Composed in 1936 for a children’s theatre production, Peter and the Wolf is a musical tale that introduces young audiences to the instruments of the orchestra.

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The story, written by the composer Prokofofiev himself, recounts the adventures of Peter, a young boy who ignores his grandfather’s advice and tries to catch the wolf. Our hero is helped by a bird, a cat, and a duck. After many adventures, everything ends happily with the captured wolf being taken to the zoo.

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Each character is represented by an instrument.

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Casilda interacts with the children and brilliantly brings each character to life.

The story is that of Peer Gynt, a young Norwegian peasant, a braggart and teller of tall tales, who travels through fjords, mountains, deserts, and oceans, and only at the end of his journey, in the twilight of his life, does he realize that true happiness was within his reach, but he failed to see it.

The story, rewritten and narrated by Casilda Regueiro, is accompanied and illustrated by musical interludes. The Lancy-Geneva Orchestra, under the artistic and musical direction of Roberto Sawicki, performs some of the most famous themes from this stage score in a more intimate version for strings.

Prince Ahmed is locked away in a tower by his father, the king, who fears the dire predictions of astrologers. The prince lives in isolation in the Alhambra palace in Granada.

Devoted to his studies under the tutelage of a strict teacher, he must under no circumstances hear of love. He learns the language of birds, which reveal to him the existence of a beautiful and mysterious Spanish princess. Crossing the barriers between the Hispanic and Muslim worlds in the name of love, nothing and no one can prevent him from being with the love of his life. Love, tolerance, and respect for differences will triumph over all obstacles.

Casilda and the OLG musicians, conducted by Roberto Sawicki, will transport you to the magical kingdom of Al-Andalus on the Iberian Peninsula to the joyful rhythm of the fandango and the jota. 

A musical tale freely adapted from Pushkin. Three sisters dream of marrying Czar Saltan. He prefers the youngest, marries her and puts the two older sisters to work serving her in the castle. Consumed by jealousy, they take advantage of the Tsar's absence to plot a terrible revenge to make the young queen and her son disappear. But they did not count on the intervention of the extraordinary swan with magical powers who will save the Czar’s wife and her son and help Prince Gvidon win back his father's love.

A little boy is bored to death despite having a room full of toys. He asks his mother to tell him a story. His mother makes him a proposal: ‘You play, and I'll make up a story based on the toy you choose and what you do with it. Agreed?’ Thus begins a magnificent journey in which mother and son, music and storytelling come together to create wonderful images. Each new toy is illustrated by music and inspires a story as beautiful as it is surprising, evoking the atmosphere of One Thousand and One Nights. 

Three possible versions: French & German, French & English or all in French. 

Casilda has a dream: the Quartet goes on a journey in search of the most beautiful music in the world to win the Geneva Music Competition.

We travel from country to country, guided by melodies we all recognise, and immerse ourselves – we and the musicians – in the intrigues of the protagonists.

The words and music reveal the differences that make up the cultural richness of our world, which in turn feeds the imagination of the audience, who are invited to embark on this magnificent musical journey.

As part of the OSR Family Concerts and under the direction of Aziz Shokhakimov, this concert immerses audiences in the world of Slavic folktales, with two stories about the witch Baba Yaga narrated by Casilda Regueiro to the music of Prokofiev’s Seventh Symphony. The first recounts the adventure of the young Vasilisa, who receives a magical doll from her dying mother. Her cruel stepmother sends her to Baba Yaga’s house to fetch embers to rekindle the fire. Thanks to the doll, she overcomes all the impossible trials. In the second story, Katerina goes to work for Baba Yaga to save her family from hunger. Her four sisters hide beneath her dress and help her using their gifts. They discover that the witch is an enchanted tsarina, who is freed when the youngest defeats her at chess. A gripping tale that explains the origin of Matryoshka dolls.